"Meet Me on the Equinox"

Tantalizing golden light of false autumn (thanks, Texas!) filters through my windows. I get an itch between my shoulder blades this time of year, jealously dreaming of what I imagine real fall must feel like: misty mornings, and trees arrayed in red and gold. These are things I have never experienced. I’m working on my West Texas series, and the light pulls at my attention. I want to be outside, where the vastness and buoyant air beckon.

Meet me on the Equinox

Meet me half-way…

After a few weeks of intense art deadlines, I gave myself a bit of a break, but I’m back at it prepping for fall and winter shows. There’s just not enough time. Covid supply chain issues have made getting art supplies- particularly Venetian Plaster- difficult. I’m not sure what it’s like in other parts of the world (or even in other parts of the US), but here in Texas there’s a weird dichotomy to daily life: near pre-pandemic busy obligations, little news on Covid, groaning expectations in all realms of life; but at the same time, store shelves are bare, places are short staffed, and it’s really hard to plan anything concrete due to rolling quarantines and cancellations. It’s exhausting. We had Covid in my household at the end of August and we still haven’t caught up - and we were so lucky. I am able to do far less than I could, even this time last year, because I am so drained.

When we went camping this past summer, most of the other campers near us were either teachers or first responders. In fact, one night our camp host in New Mexico told us the entire campground was full of first responders, EMTs and teachers. We had the best conversations and the best time, sitting around the fire and talking about how grateful we were to be there. We didn’t discuss what we’d been through the past year- nobody did!- it seemed we had shared experiences, and also a shared need of renewal, fellowship, and spiritual rest. We thanked all the first responders we met, and were surprised and humbled when they thanked us for our service. The most any of us said about the past year was “It’s been really hard. We are so happy to be here, now.” We had no cell service, no access to social media or news.

It was so nice.

I am longing for campfires, stars, and reading at night by lantern-light.

Here’s to making it through this latest gauntlet. I’m going to celebrate with my first solo show! Milagros: Visions of the Desert opens at the Susan L Sistrunk Fine Art Gallery in Waco on Saturday, November 27 with a reception 5-8 pm. I’ll be there and I will give a brief artist talk about my inspiration and my process. I can’t wait to share what I’ve been working on over the past few months. Check out the event page here!



All things new

I suppose it is human nature to long for spring in midwinter. Grey days abound, in Dallas. I began working on a series of work in oil on Venetian plaster last year, and I find myself obsessing over color. These works are still largely experimental, but I love working with plaster and oil. There is something calming in the rhythm and method of plastering thin coats on panel, scraping and re-scraping, then burnishing the layers to see what sorts of patterns emerge. And then, there is something about Texas herself: the sky, the land, the hospitable people and damn, inhospitable heat. So here I am, playing with contradictions. Blossoms in winter, oil and plaster, the sweet, natural gifts of the Texas landscape for those who are willing to sweat their way through Texas summer.

Magnolias are among my favorite trees. They are a symbol of summer in the South. I began painting magnolias last spring, taking walks with my daughter after the heat of the day had (somewhat) passed, and photographing the blossoms before they turned brown and curled in on themselves. Magnolia petals contain beautiful shadows, and make for great color studies. My newest is on crimson and turquoise plaster, a palette that reminds me of everything I love about the southwest.

Magnolia in Crimson and Turquoise, 2019

Magnolia in Crimson and Turquoise, 2019